Audio Technica AT5040 and Slate Digital VMS ML-1 microphone review

Audio Technica AT5040

Audio_Technica_AT5040_Studio-Microphone

Audio-Technica is a Japanese company that has been manufacturing headphones and other audio devices since 1962. In 2005, he developed the “Uniguard” technology, which makes microphones resistant to electrical interference.

The AT5040 is a large diaphragm condenser microphone. For membrane condenser microphones, the focus is usually on the overall frequency response and sound quality. Audio Technica’s new AT5040 is a typical high-end condenser microphone with high-quality components, low noise, and adequate vibration damping.
This is a studio microphone that is mainly recommended for recording vocals and acoustic instruments, with a frequency range of 20Hz to 20kHz.

AT5040-bag

It is characterized by cardioid directional characteristics, extra natural sound, 50 Ohm impedance. Noise level: 89dB / 1kHz / 1Pa, extremely low self-noise (only 5dB), classic XLR connector, accessory AT8480 carrying case, SPL 142dB maximum sound pressure, weight 580g.

It is capable of extremely musical performance with stunning realism and depth and clarity of sound. Made by hand, the sleek and rugged aluminum and copper housing is really very sophisticated.

Technology and design

at5040-microphone-technology

For the AT5040, the idea was to take advantage of a larger membrane (higher sensitivity and lower noise level), but without the limitations of a large membrane (such as a limited high-frequency response). That’s why Audio opted for four interlocking rectangular elements when designing the microphone. The C-shaped design is visually similar to some Brauner products, and with magnetic clips and interlocks, it is fast and reliable. As far as isolation is concerned, it has been shown to be effective in listening tests, but if at a certain location of the microphone, some subsonic frequency (about 20Hz) was noticeable.

The AT5040 optimally smoothes out sound at high frequencies (5 kHz to 20 kHz). Nevertheless, the cardioid polar pattern is too tight for this frequency range because when we moved in the horizontal direction, we noticed that it had lost its high-frequency content.

Sound

at5040-microphone-diagramm

The sound of the Audio Technica AT5040 microphone is quite neutral. He was characterized by wonderful openness. It worked great on vocals and also on acoustic guitars, percussion and drums. Overall, it’s a premium quality, well-made microphone, even if it costs a lot. Its placement must be very careful for optimal sound, and of course the acoustics of the studio must also be taken care of, otherwise the sound recording will not be adequate.

Classic large capsule condenser microphones are without a doubt one of the most sought after and expensive products on anyone’s wish list.

Slate Digital VMS ML-1

slate-digital-vms-ml1-studio-microphone

Slate Digital was founded in 2008 by Steven Slate and Fabrice Gabriel with the mission to create the best digital audio devices for professional manufacturers, mixers and engineers.

The virtual microphone system

“VMS” is a hybrid system that uses a condenser microphone, a neutral preamplifier and a state-of-the-art digital processing package that restores the ambiance and performance of classic microphones and preamps. The virtual microphone system breaks down the wall between sound engineers and expensive world-class audio devices, giving you the virtual microphone of their dreams at an affordable price.

Slate Digital has created a virtual system that comes with a high-quality, large capsule condenser microphone, a dedicated “ultra-linear” microphone prep, and a plug-in that is also excellent as a modeling microphone. The only difficulty is that you have to use your own A / D converter.

sd-vma-ml1-microphone-pack

The microphone is black and is somewhere between an AKG C12 and a Brauner VM1. It is equipped with a very well made suspension bracket, but the transmission noise is still higher than we would expect. The microphone is connected to the preamplifier via a standard 3-pin XLR cable.

It is of a very high standard in terms of production quality, the metalwork and design are excellent, and – unlike some expensive modern microphones – the suspension holder is smoothly adjustable and firmly held. The software is part of the Slate Virtual Mix Rack and is very easy to use. Our only problem was that the Slate Digital VMS ML-1 microphone was not equipped with a high-pass filter.

We also tried it on vocals, guitar, and percussion. The microphone is quiet and super clean. It’s a high-quality microphone, and while it sounds a little too sterile without some intervention, it’s not really a downside to studio shots.

Audio Technica At5040 or Slate Digital VMS ML-1?

Both studio microphones provided stunning sound with very low noise levels of their own and super clarity. The quality design, manual production and technology developed of the AT 5040 were convincing.

However, the price is also high to put it mildly, so be careful not to choose one of the brand’s previous, also excellent but cheaper microphones, because we didn’t see such a huge difference in sound compared to previous models.
The main advantages of the Slate Digital microphone are its practical design and the adjustment options offered by the VMS digital system, in addition, we can get it at a very fair price. A modeling studio per microphone is an absolute ideal choice for sound engineers.
Remember that in the case of studios, proper acoustics are essential, as the sound of a sound recording or mix recorded in a noisy environment with poor acoustics will fall short of expectations. The walls and ceiling are treated with acoustic wall panels and diffuser elements. If there is a lot of glass space in the studio, you may also want to use acoustic curtains.

Written by Róbert Polgár