Additional discounts in case of bank transfer:
up to 1000 EUR: 7% discount
1001-1499 EUR: 9% discount
1500-2499 EUR: 11% discount
2500-4000 EUR: 13% discount
Countries within the EU: Our customers with an EU tax number can buy tax/VAT-free!Please indicate your registered business / corporate EU tax number in the comments when ordering. Once we’ve verified,we’ll send you a new tax-free invoice for payment.
Countries outside the EU that can buy without VAT: United Kingdom, Norway, Switzerland, Lichtenstein, San Marino
We can produce custom sizes as well.
-Size: 130x64x11cm weight: 11kg
-Size: 104x64x11cm weight: 8kg
-Size: 104x64x6cm weight: 4kg
-Size: 104x30x6cm weight: 3.5kg
-Size: 64x54x6cm weight: 3.5kg
We offer a 2-month money back guarantee on all our products!
If you are not satisfied with the purchased product, you can return the product without giving a reason within 60 days of receiving it.
Properties of the sound panel:
Inside our wall panels we place 90kg/m3 acoustic wool into a sturdy wood construction, which has noise insulation and soundproofing properties.
The acoustic wool is developed especially for this purpose thus it is non-toxic.
The surface of the wall panels is covered with acoustic velvet which also protects against dust emission.
Acoustic absorbers is needed in those places where the reverberation time (echo) is higher than the reference level, this sort of wall panels is the best, if you are not happy with the acoustics of the building.
Colours of our panels:
Foldable wooden feet are also available on request
Available with 8 mm wooden frame. (natural pine color)
In which area the acoustic elements betters other products?
We tried to create such an acoustical panel by which we can treat the entire bandwidth without over damping the higher frequencies.
Since it destroys the unwanted bass from 40Hz we will hear more detailed and controlled bass while higher frequencies will remain airier and more spacious.
The sound absorbing properties of the Classic broadband panel:
It dampens the unwanted sound waves from 40Hz to 20,000Hz.
All of our products are continuously measured and tested.
Composition of the panel:
The sound panels are a series of absorber panels covered by high density acoustic velvet developed for applications where excellent acoustic performance is necessary and the too long reverberation is a huge problem.
The broadband panels made of high-density acoustic wool of 90kg/m3 have a density up to 8 times the density of typical foam panels in order to ensure the most balanced sound absorption in the audio listening frequencies.
We insert the acoustic wool into a 2cm thick wooden frame. That is why they can be installed very stable. Each absorber panel is wrapped in a microparticulate acoustic velvet which is available in 16 different colours.(We only keep a few standard products in stock.)
The installation of acoustic absorbers is very easy.
The great trick of the acoustics is that if we leave some space behind the broadband acoustic lements we will increase the absorption of the bass.
We can hang the broadband panels as easily as a picture frame.
We use the most practical one from the various ways of installation, which is easy to install even without expertise. We provide each of our acoustic absorbers with pre-drilled holes in which you can easily screw the hook bolts that you have received with the sound absorption panel.
Then you must drill a hole into the wall in which you screw a bolt which is also a hook bolt but not round shaped but a 90-degree bolt. Then you can easily hang the acoustic element that you have purchased on this hook.
If it is possible leave gap between the wall and the acoustic element. For example, if we leave 10cm between the wall and a 10cm thick broadband panel the absorption of sounds below 200Hz will double. You should not waste this absorption of bass. You can manage the same by hanging it from the top. The only difference is that the gap there is not as disturbing as on the wall.
We cannot provide wall-plug, chain or bolt with the product as the wall structures are different everywhere and need completely different fixation.
Types of acoustic elements:
We offer broadband panels in 5 different sizes and 2 different thickness. The thickness of 6 cm enables the designers to defeat the fluttering echo, which significantly shortens the ability to concentrate in a workplace, cheaper and not too strikingly e.g. in offices or switchboard rooms.
We advise the thickness of 11cm or even thicker (e.g. Cube bass trap) acoustic elements for musical installations, theatres, cinemas, or studios where the sound must be absorbed in higher volume and in full bandwidth.
Placement of the broadband panel:
Actually, the placement of the panels is an application issue. For example, the bigger absorption can make benefit from the advantages of a studio while the lobby or the restaurant of a hotel functions well with a minimal treatment.
As you may have certainly noticed most people do not often cover the rooms – even the studios – from floor to roof. Most people like listening to music among relatively vital and natural circumstances. That ensures for us – for the people – the relaxing and natural spaciousness. If the rooms are too much treated such as an anechoic chamber we will lose the spaciousness and feel it dull.
Also, the positioning of the panels will change depending on the room. For example, simply mounting the panels on the wall in a restaurant or office will improve the conversation and the sound of computers. In such cases the positioning is usually based on practice, for example where wall surfaces are available. In certain cases, people prefer the smoother or more balanced approach by distributing the absorption panels in order to ensure the same calm environment for everyone. A good example of that is conference rooms.
People prefer placing the more developed panels in the most sophisticated critical listening positions. The most frequent configuration is known as dead end or live end where one end of the room has higher absorption percent than the other one. In a studio rather the source end can be treated while in bigger rooms such as theatres rather the back of the room can be treated.
There are numerous acoustic tricks available to make the acoustic installation simpler and more efficient:
Mounting the sound panels at ear level:
The first simple trick is to mount the broadband panels at ear level. This is efficient especially if they are in smaller rooms such as home theatres, classrooms, conference rooms or studios. The advantage is that they are kept away from the chairs and the people walking along the chairs which may damage the panels by accident.
Treatment of parallel surfaces
Another trick is related to parallel wall surfaces. Most of the rooms are rectangular shape. That means that the huge rooms have two parallel walls. The sound is very directional – especially in high frequencies – which makes it to be diffused upstairs as a flashlight. Two parallel wall surfaces are needed to maintain the fluttering echo. If it treats only one the echo will be reflected quickly.
Leaving a space between the panels.
As the sound is able to penetrate the side ends of the panels the space left between them usually increases the absorption. Therefore, unless you try to cover a room completely, you can save money by leaving a free space between the panels.
Use the advantages of corners
As the sound spreads sphere-like, while it goes away from the source the panels can easily trap it by “capturing” it before it returns to the room. If you treat a wall or a wall surface in a corner between the wall and the roof, you can actually make benefit twice from the performance.
Acoustic ceiling panels:
If there are no walls available the top of the room can be a good alternative for sound absorption. For example, in a restaurant or a hotel lobby with big windows the wall surface can be occupied.
The acoustic elements can be hanged from the roof above the noisy areas?
Those who want to add a decorative element to the room can use the 3D panel. If they chose these rounded, semi-circular panels which can be combined with rectangles and squares, they will create acoustic windows and art forms while they manage the sound as well.
The next, most important set of questions can be summarised mechanically:
In other words, how easy to handle it and to mount it on the wall? What about durability? Service-life? What about removal and cleaning up?
If you have ever tried to remove the glue caused by a foam from you walls you may know how challenging it is. If not, you will be surprised. Repairing the damage caused by glues is usually more expensive than the cost of the panels.
In other words, how easy to handle it and to mount it on the wall?
On the back of each of our absorber panel installation including membranes there are pre-drilled holes.
In which you can easily screw your wooden screw-hooks packed with the acoustic element, without any effort. You must hang the other hook (not included in our product) that is drilled and bolted in the wall onto this hook. You have to simply hang any of our sound absorption panels onto it.
If you want to hang it from the roof it will not be a complicated task, it works the same way as with hanging on the wall the only difference is that it is advisable to buy a tiny and thin chain, fishing line or plaited wire. In this case there is no problem even if the distances between the holes do not match as the wire is able to be adapted to the hook on the sound panels.
What about durability?
If you prevent our sound panels from physical impacts: blows, drops, etc. it will function forever because thanks to the hard, wooden structure our acoustic elements cannot be deformed. The acoustic silk coating, leather coating or the printed acoustic silk do not fade and do not lose their colour. Of course, you have to protect it from the sunshine as in case of all textile fabrics.
If anybody has ever tried to restore the wall after affixing “acoustic” foam on it he/she will know that repairing the two tiny holes left from our acoustic elements is a piece of cake. If we consider only that issue the result of the foam or styrofoam thought to be very cheap will be significantly more expensive than our sound absorption panels. The glue used for the foams is usually more expensive than the foam itself. Not to mention the complete wall renovation and painting of the room left behind.
Cleaning of the panels:
You can wipe any of our products with slightly wet cloth.
Before choosing the acoustic elements and the colour it is advisable to take into account the “fastidiousness” of the colour of the material. Unfortunately, the light colours (only textile) will get dirty sooner, thus they can become very ugly due to circumstances beyond our control, the spot will not disappear even if it is washed off. It is advisable to choose a darker acoustic silk in the dusty rooms.
This sort of wall panels have excellent soundproofing and noise insulation properties, making them excellent for acoustic treatment of the office or our home. Ideal acoustics can be achieved by using these panels. The standard building materials used in the construction of the building are unfavorable to the acoustics. The most striking sign of poor acoustics is the presence of echoes. The acoustics of the office or recording studio can only be treated by using sound-absorbing and noise insulation wall panels with acoustic cotton content made of high-quality materials and fabric. Omit items made of low quality materials using DIY methods.